Ex Machina
Described as a modern day Frankenstein. Yeah–kinda. But I thought that the big thing about the film and what I really enjoyed is that it’s a smart film that gets you thinking about big questions. What is “human”? What does it really mean? Is it even a good thing?
The plot centers around a genius recluse(Oscar Issac) who sits in his remote hideaway designing all sorts of future technology. He’s a bit of a drunk too but somehow he keeps it together on some level–but clearly he’s a bit mad as well. He’s a scary individual. Anyone trying to be God is. He brings in one of his employees(Domhall Gleeson) on a “free trip” to his home and laboratory to help him perform a sort of Turing Test on an AI he has created–a very human looking robot called, “Ava”. Does she have real consciousness? Does it just seem that way?
And if she DOES have it–what does that mean?
There were elements to the film I thought were a little predictable but it didn’t matter. The performances were fantastic, the film looks beautiful and it kept me thinking.
Very good film. Worth watching.
SPOTLIGHT
An ensemble cast is the highlight of this film about the cover-up in the Catholic church in Boston concerning its priests. While the acting is fine(Ruffallo got an Oscar nod but I kind of liked Keaton’s low-key performance better) the film plays like a documentary. It doesn’t feel much like a motion picture built to move you in any way.
It’s cold, distanced and methodical.
I think I would have rather seen the story as a documentary to be honest.
If you’re interested in the story of what happened–go for it. But don’t expect to be entertained.
I’m very disappointed in the Best Picture nominees this year. I’ve seen all but two of them and would not really say any of the ones I’ve seen are worthy but maybe it’s that kind of year.
"Reality is that which, when you stop believing in it, doesn't go away. " Philip K. Dick