NYT: How Italians Became White

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    How Italians Became White:https://www.nytimes.com/interactive/2019/10/12/opinion/columbus-day-italian-american-racism.html?action=click&module=Opinion&pgtype=Homepage

    Brent Staples

    Congress envisioned a white, Protestant and culturally homogeneous America when it declared in 1790 that only “free white persons, who have, or shall migrate into the United States” were eligible to become naturalized citizens. The calculus of racism underwent swift revision when waves of culturally diverse immigrants from the far corners of Europe changed the face of the country.

    As the historian Matthew Frye Jacobson shows in his immigrant history “Whiteness of a Different Color,” the surge of newcomers engendered a national panic and led Americans to adopt a more restrictive, politicized view of how whiteness was to be allocated. Journalists, politicians, social scientists and immigration officials embraced the habit, separating ostensibly white Europeans into “races.” Some were designated “whiter” — and more worthy of citizenship — than others, while some were ranked as too close to blackness to be socially redeemable. The story of how Italian immigrants went from racialized pariah status in the 19th century to white Americans in good standing in the 20th offers a window onto the alchemy through which race is constructed in the United States, and how racial hierarchies can sometimes change.

    Darker skinned southern Italians endured the penalties of blackness on both sides of the Atlantic. In Italy, Northerners had long held that Southerners — particularly Sicilians — were an “uncivilized” and racially inferior people, too obviously African to be part of Europe.

    Racist dogma about Southern Italians found fertile soil in the United States. As the historian Jennifer Guglielmo writes, the newcomers encountered waves of books, magazines and newspapers that “bombarded Americans with images of Italians as racially suspect.” They were sometimes shut out of schools, movie houses and labor unions, or consigned to church pews set aside for black people. They were described in the press as “swarthy,” “kinky haired” members of a criminal race and derided in the streets with epithets like “dago,” “guinea” — a term of derision applied to enslaved Africans and their descendants — and more familiarly racist insults like “white nigger” and “nigger wop.”
    The penalties of blackness went well beyond name-calling in the apartheid South. Italians who had come to the country as “free white persons” were often marked as black because they accepted “black” jobs in the Louisiana sugar fields or because they chose to live among African-Americans. This left them vulnerable to marauding mobs like the ones that hanged, shot, dismembered or burned alive thousands of black men, women and children across the South.

    The federal holiday honoring the Italian explorer Christopher Columbus — celebrated on Monday — was central to the process through which Italian-Americans were fully ratified as white during the 20th century. The rationale for the holiday was steeped in myth, and allowed Italian-Americans to write a laudatory portrait of themselves into the civic record.

    Few who march in Columbus Day parades or recount the tale of Columbus’s voyage from Europe to the New World are aware of how the holiday came about or that President Benjamin Harrison proclaimed it as a one-time national celebration in 1892 — in the wake of a bloody New Orleans lynching that took the lives of 11 Italian immigrants. The proclamation was part of a broader attempt to quiet outrage among Italian-Americans, and a diplomatic blowup over the murders that brought Italy and the United States to the brink of war.

    Historians have recently showed that America’s dishonorable response to this barbaric event was partly conditioned by racist stereotypes about Italians promulgated in Northern newspapers like The Times. A striking analysis by Charles Seguin, a sociologist at Pennsylvania State University, and Sabrina Nardin, a doctoral student at the University of Arizona, shows that the protests lodged by the Italian government inspired something that had failed to coalesce around the brave African-American newspaper editor and anti-lynching campaigner Ida B. Wells — a broad anti-lynching effort…..see link…

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